No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without permission in writing from the publisher. As the poem relates the discovery of Ledi's gravesite, the narrator attempts simultaneously to reconstruct her own past relationship and the body of her lover. This book-length poem presents a compelling story in the form of an archaeologist's notebook, a collage of journal entries, spare lyric poems, inventories, and images. Trainor uses this burial site to undertake the emotional excavation of the death of a former lover by suicide. The archaeologist who discovered her, Natalya Polosmak, called her 'Ledi'-'the Lady'-and it was speculated that she may have held a ceremonial position such as story teller or shaman within her tribe. Along with the woman's carefully preserved body, with its blue tattoos of leopards and griffins, grave goods were also discovered-rosehips and wild garlic, translucent vessels carved from horn, snow-white felt stockings and coriander seeds for burning at death. Ledi, the second book by Vancouver poet Kim Trainor, describes the excavation of an Iron Age Pazyryk woman from her ice-bound grave in the steppes of Siberia.
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